Loving the Machine: The Art and Science of Japanese Robots | Explore Robotics Technology for Home, Office & STEM Education
Loving the Machine: The Art and Science of Japanese Robots | Explore Robotics Technology for Home, Office & STEM Education

Loving the Machine: The Art and Science of Japanese Robots | Explore Robotics Technology for Home, Office & STEM Education

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Description

Japan stands out for its long love affair with humanoid robots, a phenomenon that is creating what will likely be the world's first mass robot culture. While U.S. companies have produced robot vacuum cleaners and war machines, Japan has created warm and fuzzy life-like robot therapy pets. While the U.S. makes movies like "Robocop" and "The Terminator," Japan is responsible for the friendly Mighty Atom, Aibo and Asimo. While the U.S. sponsors robot-on-robot destruction contests, Japan's feature tasks that mimic nonviolent human activities. The Steven Spielberg film, "AI," was a disaster at the world box office-except in Japan, where it was a huge hit. Why is this? What can account for Japan's unique relationship with robots as potential colleagues in life, rather than as potential adversaries? Loving the Machine attempts to answer this fundamental query by looking at Japan's historical connections with robots, its present fascination and leading technologies, and what the future holds. Through in-depth interviews with scientists, researchers, historians, artists, writers and others involved with or influenced by robots today, author Timothy N. Hornyak looks at robots in Japan from the perspectives of culture, psychology and history, as well as technology; and brings understanding to an endlessly evolving subject. From the Edo-period humanoid automatons, through popular animation icons and into the high tech labs of today's researchers into robotic action and intelligence, the author traces a fascinating trail of passion and development.

Reviews

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- Verified Buyer
What else can I say that my title doesn't convey?My only carp--perhaps--is that the author fails satisfactorily to address the issue of why robots, so very hyped (albeit less so than, say, thirty years ago), have failed to establish significant inroads in domestic settings. Visit a Japanese automobile factory and you'll see robots everywhere--mounting parts, soldering, painting (even painting one another--accidentally, one hopes!). But in the home--as comedically immortalized in Woody Allen's 1974 hootfest, "Sleeper"--you don't see robots other than as curiosities, such as non-pooping "dogs."Hornyak could have made the book more entertaining by including the anecdote about Herbie--had he known it. Herbie was a non-anthropomorphic robot that delivered inter-office mail in an AT&T facility in Silver Spring, Maryland. His route was not preprogrammed, but was "taught" to him by spray-painting a gradually fading metallic stripe onto the carpet: Herbie would follow the stripe, stopping whenever someone stood in his path. (Herbie was very polite: not only did he move slowly, but he did not step on feet.) One conniver thought it would be funny to spray-paint the stripe right over to the fifth-floor picture window, whereby Herbie committed hara-kiri in a spectacular blaze. (The jokester was less upset at being fired than at the eighty-thousand-dollar legal judgment.)