Robots Volume One - High-Tech Robot Toy for Kids & Collectors | STEM Learning, Interactive Play, and Gift Ideas for All Ages
Robots Volume One - High-Tech Robot Toy for Kids & Collectors | STEM Learning, Interactive Play, and Gift Ideas for All Ages

Robots Volume One - High-Tech Robot Toy for Kids & Collectors | STEM Learning, Interactive Play, and Gift Ideas for All Ages

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Description

This is the first release in a planned 12-part series based on characters and the world of Kaldor created by Chris Boucher in the classic 1977 Doctor Who TV episode, The Robots of Death. During the events of Doctor Who -Ravenous 2, Liv Chenka left the Doctor and the TARDIS behind. Just for one year. A year during which she would live on Kaldor and get to know her sister Tula all over again. But Kaldor is going through a period of tumultuous change. Technology is changing at an advanced rate -the robots are evolving, artificial intelligence is adapting, and with these changes so politics is altering too. Dangerously. Can Liv and Tula make a difference during the most turbulent time in the world's history 1.1 The Robots of Life by Roland Moore Settling into life back on Kaldor, Liv investigates a medical centre where the patients are dying. 1.2 The Sentient by Robert Whitelock. Vissey is a young child -the sort of perfect young girl any parents would want to adopt. She is also artificial, and she sees the world in a very different way to humans. 1.3 Love Me Not by John Dorney. A widower goes to extreme lengths to keep the memories of his dead wife alive. CAST: Nicola Walker (Liv Chenka), Claire Rushbrook (Tula), Eric Carte (Arak Varren), Jon Culshaw (SV90/V88/V19), Annabelle Dowler (Jasdar Crick), Daniel Goode (Kelov), Jaye Griffiths (Til Rork), Anthony Howell (Volar Crick), Robert Whitelock (Skellen/V48/SV66), Tracy Wiles (V98/V7). Other parts played by members of the cast.

Reviews

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- Verified Buyer
This story is set during the events of the box set Ravenous 2. Liv Chenka (Nicola Walker) spent a year on her home plant of Kaldor and renewed her relationship with her sister Tula (Claire Rushbrook). Kaldor was the setting for the classic Doctor Who story, "The Robots of Death." The Robots series explores the Robots and concepts of artificial intelligence in a broader context in a series of 12 spread evenly over four box sets.The set kicks off with "The Robots of Life" which features a lot of world building during Liv Chenka's year away from the TARDIS on Kaldor. Mostly, it does a solid job. It's a deliberate start, but its never tedious or boring. Its just taking its time and does build to a few plot twists towards the end while also establishing the relationship between Liv and her Sister, and providing a few hints of what's going with the company and this sinister corporation.The only thing that may have taken me out of the story was Tula doing something dangerous just because Liv asked. That's not something I'd expect from her character, but perhaps it'll be justified later on. Overall, this was a decent start.In "The Sentient," Liv is on holiday and goes to help Tula on a project by completing an ESP experiment. Liv learns that the project is a new advanced AI being programmed to served as a daughter for some wealthy Kaldorians. However, Liv becomes alarmed when she learns the AI is altering its own programming and is having conversations about genocide.This is a timely tale that fits well within the world of Kaldor while also providing a cautionary tale that relates to modern concerns about AI. The story does have some good emotional beats and also raises some important issues. While it's predictable at times, it does enough with its characters and concepts to make it an enjoyable listen.After being treated to a race against the clock to save Kaldor in the previous story, "Love Me Not" is a slower character based tale. It ties into the first story as the a brilliant scientist who is the husband of the woman who died at the start of the episode, is the focal point as he mourns and struggles to move on, even while facing pressure to the company to return and seeks a way to deal with his grief.This story works brilliantly because the characters are so well-written and their reactions are realistic. Unlike some genre writers, John Dorney doesn't forget he's writing about real people with real emotions, even if they live on a future world dependent on robot servants.The plot is about Tula trying to be a friend to the grieving widowers while Liv is trying to be a good med-tech to make sure he gets the help he needs. While it seems obvious that we know what's going on, the story never gets boring as its not about the mystery, but helping the man. And even then, it turns out we don't know exactly what's going on and there's some key surprises that turn a few assumptions on their head. The ending does a beautiful job of setting the tone for the rest of the series.Overall, a beautifully written and performed and piece.This is one of Big Finish's best starts a new range. The set is thoughtful without being pretentious and still tells some cracking good stories. Highly recommended.